I’ve never watched a Wes Craven movie. From the
descriptions I have heard of them, I probably never will. The only reason I
listened to a Terry Gross interview of Craven, who died August 30, was because
it was on the radio as I drove into Tulsa recently. I was certainly not
expecting to learn anything from him.
If you watch any of his movies, I understand, you might
think that he exults in torture and blood. But actually, one of his formative
experiences as a child was when he killed a rat. He shot it with an arrow,
pinning it to the ground. Its scream was much louder than one would ever expect
such a small animal to make. He said it was a long and difficult process to
finish the rat off. He was astonished at
the desperation of the rat to stay alive. Humans are like this too, he
realized. This experience stayed with him for life.
Most movies before the 1960s showed stylized murders and
death. Viewers were never really confronted with the horror of seeing another
person killed. For example, in many movies, a single stab will kill someone, or
a single blow to the head. (I saw this sort of murder at least a hundred times
on Perry Mason reruns.) But in real life it usually takes multiple stabs or
blows and gets gruesome very quickly. Wes Craven wanted his viewers to know how
horrifying death really was.
That is, Craven wanted us to know how horrifying violent
death was so that we would hate it. Watch enough stylized deaths and pretty
soon death seems abstract. Craven wanted to blow us away from this delusion. In
particular, he grew up watching graphic footage of death in the Vietnam War. To
Craven, it made no sense that Americans would support such a war, and also
support economic enslavement of the poor people of the world, while being
afraid to watch a graphic scene of murder in a movie.
Craven talked about his fundamentalist upbringing, but he
did not recognize much connection between it and his inability to resist
showing us graphic violence. But I saw a connection. If you read enough Sunday
school stories about the Israelites conquering the native peoples of Palestine,
if you kept reading about how the Israelites “smote” the inhabitants and killed
all of them, men, women, and children, then pretty soon genocide and slaughter
seem normal. Generations of Sunday school kids have grown up thinking that the
Israelite slaughter of whole cities of people was somehow antiseptic and that
God did not give a crap about their screams. So much for the book of Joshua. As
for the book of Judges, it is so gruesomely violent that there is no way to
make it tame enough to teach in Sunday school; most churches skip the part
about the Israelite man who cut his murdered concubine into twelve pieces and
sent them to the tribes of Israel. Or the Israelite who sacrificed his own daughter
on an altar.
Maybe if Wes Craven had made The Ten Commandments, following the Bible account faithfully, then
complacent American Christians would have been shocked enough to quit
supporting government and economic policies that, even today, lead to the
degradation of millions of poor people around the world.
Maybe it’s time for a new movie called The Book of Judges: The Real Story. Damn,
that would make one hell of a movie! Don’t believe me? Dig out your Bible and
read the book of Judges. I’ll write the screenplay if anyone wants to put up
the money for the movie. Not for a Hollywood movie, just an Indy movie for
Sundance or Cannes or something. Or maybe it will play on the Sunday evening
church circuit.
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